Reduzierte Artikel in dieser Kategorie
| Verlag | Back Bay Books |
| Auflage | 2018 |
| Seiten | 368 |
| Format | 13,9 x 21,2 x 2,3 cm |
| Gewicht | 322 g |
| Artikeltyp | Englisches Buch |
| ISBN-10 | 0316434787 |
| EAN | 9780316434782 |
| Bestell-Nr | 31643478EA |
In this ferociously imaginative novel, abortion is once again illegal in America, in-vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo.
Five women. One question. What is a woman for?
In a small Oregon fishing town, five very different women navigate these new barriers alongside age-old questions surrounding motherhood, identity, and freedom. Ro, a single high-school teacher, is trying to have a baby on her own, while also writing a biography of Eivv?r, a little-known 19th-century female polar explorer.
Susan is a frustrated mother of two, trapped in a crumbling marriage. Mattie is the adopted daughter of doting parents and one of Ro's best students, who finds herself pregnant with nowhere to turn. And Gin is the gifted, forest-dwelling herbalist, or "mender," who brings all their fates together when she's arrested and put on trial in a frenzied modern-day witch hunt.
Red Clocks is at once a riveting drama, whose mysteries unfold with magnetic energy, and a shattering novel of ideas. In the vein of Margaret Atwood and Eileen Myles, Leni Zumas fearlessly explores the contours of female experience, evoking The Handmaid's Tale for a new millennium. This is a story of resilience, transformation, and hope in tumultuous -- even frightening -- times.
Rezension:
"[A] lyrical and beautifully observed reflection on women's lives.... Highly absorbing.... Zumas is a skillful writer, expertly keeping each of her characters in balanced motion, never allowing one to dominate the rest. Her cunning device of not revealing the name of each character in the sections she narrates grants us a multidimensional perspective on all four women, highlighting their roles in one another's stories. It's a beautiful metaphor for the interdependence of women's lives."-Naomi Alderman, New York Times Book Review
