This lavishly illustrated monograph - published to accompany France's first major retrospective since the photographer's death in 2004 - traces Cartier-Bresson's development as a photographer, activist, journalist, and artist. In addition to some of Cartier-Bresson's best-known photographs, included here are many seldom seen or unpublished images and some rarities in color as well as black-and-white.
This lavishly illustrated monograph published to accompany Frances first major retrospective since the photographers death in 2004 traces Cartier-Bressons development as a photographer, activist, journalist and artist. In addition to some of Cartier-Bressons best-known photographs, included here are many seldom seen or unpublished images and some rarities in colour as well as black-and-white. From his earliest photographs in Paris in the 1920s and Africa in the 1930s, Cartier-Bressons capacity to conjure coherence and harmony out of a chaotic world appears effortless and innate a deep-centred attitude rather than a merely learned technique. His observations of the effects of poverty and revolution around the world led directly to his pioneering photojournalism and to his co-founding of Magnum Photos. He became renowned for his penetrating portraits of the most prominent figures of his time, becoming, in the words of his biographer Pierre Assouline, the eye of the century.
Henri Cartier-Bresson, als Sohn eines wohlhabenden Textilfabrikanten 1908 bei Paris geboren, hat als Reporter und Porträtist der Großen der Welt, der Namenlosen und ebenso als Landschaftsfotograf Geschichte gemacht. 1947 gründete er zusammen mit Robert Capa die Fotoagentur "Magnum" in Paris. Seit Mitte der 1970er Jahr fotografierte Cartier-Bresson nur noch sehr selten. Er kehrte zur Malerei zurück, die er von 1927 bis 1929 studierte, fand damit aber nie jene Beachtung wie mit seinem Blick durch den Sucher. Am 2. August 2004 starb Henri Cartier-Bresson im Alter von 95 Jahren in Isle-sur-la-Sorgue.