House Concert

Igor Levit ranks among the greatest pianists of his generation, described by The New York Times as 'one of the essential artists of our time'. But his influence reaches far beyond music: he uses his public platform to speak out against racism, antisemitism and all forms of intolerance and prejudice. Convinced of the duty of the musician to remain an engaged citizen, he is recognized and admired for his willingness to take a stand on some of the great issues of our day, even though it has come at considerable personal cost.

When the pandemic broke out and Levit was unable to give live concerts, he switched his piano recitals from concert halls to his living room and gained a huge international following. This book opens a window onto Levit's life during the 2019-2020 concert season, charting the transition from his whirlwind life of back-to-back live concerts in packed concert halls to the eerie stillness of lockdown and the innovative series of house concerts livestreamed over Twitter. A year in which Levit spoke out against hate and received death threats in response. A year in which he found his voice and found himself - as an artist and as a person.

Rezension:

Selected as one of Richard Fairman's Best Classical Music Books of 2022 in the Financial Times

"Igor Levit is like no other pianist."
Alex Ross, The New Yorker

"House Concert captures that risky spirit of serendipity, seriousness and joy that defines Igor Levit's music making."
Fiona Maddocks, The Observer

"absorbing and highly readable... House Concert explores what it is to be a professional musician in the 21st century, and charts Levit's career from an unknown young pianist to an internationally-acclaimed performer who plays to sold-out houses around the world."
Interlude

"Few musicians are as bold as (Igor Levit) has been in using the concert platform to speak about issues beyond music. In House Concert he is clear about why he felt compelled to do so, careful to reiterate precisely what he has said - and how he has been misreported - and honest in his admission of missteps. Most compellingly, he and Zinnecker relate his political deve lopment to his performing career. For the pianist, and his amanuensis, there is no separating the impulse to play... from the compulsion to call-out bigotry and xenophobia."
VoxCarnyx

"This absorbing and highly readable book is neither diary nor straightforward artist biography... It not only showcases the remarkable achievements of a charismatic classical musician, it also reveals their anxieties and doubts, strengths and weaknesses, and offers an important snapshot of the difficulties faced by professional musicians in a highly competitive industry riven with convention, power structures and tradition."
The Cross-Eyed Pianist

"Igor Levit is an original and valuable musician. He follows no leaders, leads no followers, and it is refreshingly impossible to predict what will interest him next."
Wall Street Journal

"a revealing look into the mind of a thoughtful, searching, driven artist navigating a world in which the old rules of performance have lo st their validity. Like a Levit musical performance, this book lingers long after the last note is sounded."
Library Journal

"revealing,... thought-provoking, unquestionably interesting"
Gramophone