Winston Churchill in British Art, 1900 to the Present Day - The Titan With Many Faces
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5,99 €
| Verlag | Bloomsbury Academic |
| Auflage | 2017 |
| Seiten | 312 |
| Format | 16,5 x 24,3 x 2,3 cm |
| Hardback | |
| Gewicht | 631 g |
| Artikeltyp | Englisches Buch |
| ISBN-10 | 1472592395 |
| EAN | 9781472592392 |
| Bestell-Nr | 47259239UA |
Explores the public image of Churchill in visual art, from oil paintings to sculpture to political cartoons, including Churchill's complicity in the production of such images and his posthumous representations.
Klappentext:
Churchill is today remembered as a great leader, a war hero, a literary heavyweight and a renowned wit. This incarnation of Churchill is the latest in a long-evolving identity, which at various times has sustained his power, enhanced his popularity and enabled him to personify aspects of British national identity.Indeed Churchill was more aware than most of the performative power of his public life. He lived in an age of the illustrated mass-produced newspaper, with its cartoons and 'Kodak-snappers'. He was well-known for his readiness to appear in uniform for photo opportunities during the Second World War and he not only wrote about the art of political caricature, but collected cartoons of himself, his allies and opponents.In this heavily-illustrated book, Jonathan Black considers the changing image of Churchill in visual art, from cartoons and paintings to photographs and sculptures. He asks how and why his image developed right up to the present day and examines the extent to which Churchill was complicit in its production.
Inhaltsverzeichnis:
IntroductionFirst Age: Young Winston, 1898-1909Second Age: The Political Meteor, 1910-1915Third Age: From Disgrace to Redemption, 1916-1929Fourth Age: In the Wilderness, 1929-1939Fifth Age: Finest Hour, 1940-1945Sixth Age: Cold War Warrior, 1946-1955Seventh Age: Twilight Years and Apotheosis, 1955-1980sEpilogue: Churchill in the 21st Century
Rezension:
Jonathan Black is an art historian, and reading him is rather like visiting a major exhibition in the company of its curator. No such collection as this, embracing the work of painters, sculptors, photographers, and cartoonists, has ever been assembled before . Enjoyable though it is to browse through the pictures, the substance of the book lies in the text, which is both scholarly and original. Journal of Modern History